Psycho House (Audible Audio Edition) Robert Bloch Paul Michael Garcia Inc Blackstone Audio Books
Download As PDF : Psycho House (Audible Audio Edition) Robert Bloch Paul Michael Garcia Inc Blackstone Audio Books
The new Bates Motel is a tourist attraction, a re-creation of the infamous murder site, and the developers are already counting their profits. But there's a new exhibit that nobody expected the bloody corpse of a teenage girl crumpled in the front hall, stabbed to death. Among the avalanche of press and publicity is reporter and true-crime book writer Amelia Haines, who is studying the original Psycho killings. To her, the new murders are a golden opportunity; if she can become part of the investigation, perhaps track down the killer herself, then her fame and fortune will be assured. But catching the madman won't be easy the town is full of suspects, and Amy's best informants keep turning up murdered. If she isn't careful, Amelia Haines may become the next permanent guest at the Bates Motel.
Robert Bloch (1917-1994) was a horror, suspense, and science fiction writer and screenwriter, best known for the novel Psycho. Altogether, he wrote over 220 stories collected in over two dozen collections, two dozen novels, screenplays for a dozen movies, and three Star Trek episodes. His many awards include the Nebula, Hugo, and World Fantasy awards (including Lifetime Achievement), and five Bram Stoker Awards. His autobiography, Once around the Bloch, was his last major work.
Psycho House (Audible Audio Edition) Robert Bloch Paul Michael Garcia Inc Blackstone Audio Books
Roughly three decades after my first viewing of Hitchcock classic cinematic adaptation of Psycho, I finally managed to get around to reading the original source material. Having lived through so many sequels, prequels, remakes, and re-imagined takes on Hitchcock’s original film, it’s almost a struggle to read Robert Block’s novel without letting the cultural impact of what is now an entertainment franchise influence the experience. Luckily, Bloch’s Psycho has an inherent timeless built into the deviant catalyst of its story, despite how dated other elements of it might be over a half-century later.The Norman Bates of the novel is different than the lanky, awkward cinematic persona made famous by Anthony Perkins, but many of the differences are understandable when translating informative text into informative visuals. Bloch’s Norman is overweight and middle-aged, potentially an alcoholic (his alcohol consumption is actually linked to violent appearances of “Mother”) and in addition to his taxidermy hobby he is an avid reader. In fact, Bloch uses Norman’s library comprised of metaphysical, historical, pornographic, and occult tomes to paint a more complex psychological profile that doesn’t necessarily replace his oedipal issues with his mother, but at the very least lends a bit more reasoning to some of his delusions and behaviors.
Of special importance to any true crime fan is Bloch’s two references to Ed Gein, whose grave-robbing, necrophilia, and eventual killing of a local woman five years earlier inspired countless horror novelists and filmmakers, Bloch included. First there is the opening of the novel, in which Norman is reading about native tribes turning a corpse into a weird kind of body drum, which is a spin on Gein’s fascination with stories of shrunken heads. Then there is the direct mention of Gein at the end, in which it is stated that news coverage of the events at the Bates Motel were fueled by comparisons to Gein’s crimes.
Reading a book you already know the details of can be a challenge, but Bloch’s writing is straightforward and engaging, and there are enough differences between Bloch’s text and Hitchcock’s vision to keep the narrative fresh for those of us looking back. The most intriguing aspect to me of Bloch’s novel was the inclusion of an epilogue that involves an evolution of Norman’s psychosis that would have resulted in a totally different franchise if Hitchcock had used it in his film.
Long story short, it takes a great literary work to withstand the effect that cultural awareness can have on a reader already familiar with the story, and Bloch’s Psycho easily withstands this test. If you’ve seen the film but never read the book, you owe it to yourself to give it a shot.
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Psycho House (Audible Audio Edition) Robert Bloch Paul Michael Garcia Inc Blackstone Audio Books Reviews
This book is timeless and is better than the movie at giving a more in depth look at the characters although Alfred Hitchcock did a fantastic job in putting the novel into a film. This was an exciting and entertaining read. It was short so it is easy to read in one day for those who do not have a lot of time.
I recommended this book whether you have seen Hitchcock's movie or not. The book stands on its own quite well. I liked the ending well enough, but felt that it could have been improved by adding more details. Another chapter or two about how the families of the victims coped afterwards would have been interesting. Especially of the boyfriend and her sister. This book is a quick read and doesn't mince words. There are a few places where I was creeped out, mostly at the end.
As always, even better than the movie. Great movies come from great books and the book is 99.9% better than the movie almost all the time. The only exception I've ever come across is The Wizard of Oz. The Godfather was close, the movie was great and the sequel was even better but the book was awesome. The movie nearly followed the book the whole way, which is why it was so good. Anthony Hopkins made Psycho a better movie than it should have been, of course Alfred helped a bit also, he was a genius.
If you know the movie, you know this book. Hitchcock's film is a scene by scene recreation of the novel. Still, it's a fast-moving and entertaining read, written in a terse, hard-boiled detective fiction style commonly associated with film noir. We get a little more insight into Norman Bates than the movie offers us, and the novel successfully hides the truth of Norman's mother until the very end, unless of course you've seen the film. It's fun to see how well Bloch manages throughout the book to disguise the final reveal.
"I think perhaps all of us go a little crazy at times". These are the actual words spoken by the infamous Norman Bates in Robert Bloch's classic novel. I am impressed with Bloch's work. His writing is stellar as he showcases the odd-intentions analytical mind of Norma, and crafts characters who are obviously memorable, specifically Norman and "Mother". And what also impresses me so is Hitchcock's faithfulness to the story, with two major exceptions 1) The specific way in which Marion Crane dies and 2) Norman is actually an overweight balding man (hard to imagine Anthony Perkins in the narrative), but the Bates man is there in every other way in all of his eccentric I-need-Mother-and-Mother-needs-me glory. You get not only his disturbing brain power, but the important viewpoints of Sam Loomis and Lila Crane as well. The plot of the movie compliments Bloch's novel marvelously; it was a pleasure to read about how the stealthy mind of a motel owner, a person no one would ever suspect, quietly unravels.
It was a great book and a short read. Recently a friend got me into watching "Bates Motel" on A&E, and I was mesmerized by the life of Norman Bates. I came to learn that this show was the prequel of Alfred Hitchcock's "Psycho" and realized that I was very interested in understanding how "Norman Bates" was gonna turn out. So, I read the movies, and picked up this book, which I was able to read in a day. What was awesom eabout this book, is that it gave considerable detail about Mr. Bates psyche and also the thoughts of the other characters - his mother, the victims, etc. It made the movie more understandable. Watching the movie alone didn't provide enough context. In short, this is a classic and must read if you are into understanding the mind of a psychopath -- this one is classic.
Roughly three decades after my first viewing of Hitchcock classic cinematic adaptation of Psycho, I finally managed to get around to reading the original source material. Having lived through so many sequels, prequels, remakes, and re-imagined takes on Hitchcock’s original film, it’s almost a struggle to read Robert Block’s novel without letting the cultural impact of what is now an entertainment franchise influence the experience. Luckily, Bloch’s Psycho has an inherent timeless built into the deviant catalyst of its story, despite how dated other elements of it might be over a half-century later.
The Norman Bates of the novel is different than the lanky, awkward cinematic persona made famous by Anthony Perkins, but many of the differences are understandable when translating informative text into informative visuals. Bloch’s Norman is overweight and middle-aged, potentially an alcoholic (his alcohol consumption is actually linked to violent appearances of “Mother”) and in addition to his taxidermy hobby he is an avid reader. In fact, Bloch uses Norman’s library comprised of metaphysical, historical, pornographic, and occult tomes to paint a more complex psychological profile that doesn’t necessarily replace his oedipal issues with his mother, but at the very least lends a bit more reasoning to some of his delusions and behaviors.
Of special importance to any true crime fan is Bloch’s two references to Ed Gein, whose grave-robbing, necrophilia, and eventual killing of a local woman five years earlier inspired countless horror novelists and filmmakers, Bloch included. First there is the opening of the novel, in which Norman is reading about native tribes turning a corpse into a weird kind of body drum, which is a spin on Gein’s fascination with stories of shrunken heads. Then there is the direct mention of Gein at the end, in which it is stated that news coverage of the events at the Bates Motel were fueled by comparisons to Gein’s crimes.
Reading a book you already know the details of can be a challenge, but Bloch’s writing is straightforward and engaging, and there are enough differences between Bloch’s text and Hitchcock’s vision to keep the narrative fresh for those of us looking back. The most intriguing aspect to me of Bloch’s novel was the inclusion of an epilogue that involves an evolution of Norman’s psychosis that would have resulted in a totally different franchise if Hitchcock had used it in his film.
Long story short, it takes a great literary work to withstand the effect that cultural awareness can have on a reader already familiar with the story, and Bloch’s Psycho easily withstands this test. If you’ve seen the film but never read the book, you owe it to yourself to give it a shot.
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